Ahlam’s 10th studio album, and her second with Rotana, proved to be a huge hit, fairing 100x better than the one before, which was a huge disappointment, being her worst album to date. The album opens with the infection first single “Wailik” which paves the way for a much heavier produced album, the instruments are all excellent, although some are better than others. “Asaak Bkhair” the second track is a reminiscent of her huge hit “Walla Ahtajik Ana“, it’s not as good, but it is a huge step forward her unaccounted forays into “slow-romantic” songs. Third track “Mabah Jideed” is a definite standout, it’s produced by Saham, who’s the “hot” producer of the Khalaji scene, this is definitely in my top 5 tracks. The album dulls but not for long on track 4, “Ana Tab’ee Ketha“, skip it to get to track #5 faster. The title-track, ‘Hatha Ana” is most certainly different she’s ever done, it was recorded in Prague with 85 violins, it’s the classiest thing she’s ever done, for international visitors, download it below. “Saddagt” is a real treat, it’s much better than what I expected, and it grows over time. “Tawwik Fithait“, which you can download below is my favorite “up-tempo” track on the album, it’s catchy, fresh, and very energetic, it’s everything Ahlam is known for. “Akhir AlAkhbar” composed by Kuwaiti composer Andullah AlGo’oud feels a bit gimmicky at first, but will most definitely grow on you after a few listens. “Shasaweelik” is a catchy mid-tempo song that has a great hook that would probably stick in your head all day. “Fikkoni Minnah” starts off to an indian-like beat and evoloved into an all-Khaliji “6ag6iga”, which never fails. “Ta’awadt ElJirah” has yet to impress me. “Ala Ya Shari ElFarga” is an Emarati/Bahraini themed song, it feels very traditional and therefor fun. “Nawee Tirooh” is my absolute favorite track of hers from all of her material circa ’97, it’s composed by Anwar Abdullah, who discovered Ahlam in the first place, whose Ahlam compositions as of late were a bit “Meh” (Nasi, Babihom Sidda..etc.) although I do love the latter. This song is not for everyone, I love it for it’s sheer effect on me, I have never been this captured by an arabic song in a really long while, it’s Ahlam pulling off her best Abdu. The album closes with the already-known “Awareekom Feeh“, she sang the hell out of this song in every concert, TV appearance..etc. It’s still fun to listen to though, it’s a fun track, nothing serious. This marks Ahlam’s best album since her ’97 “Kaif Artha?”. Very well done, Ahlam and thank you very much for making me fall in love with you, your music all over again. Definitely worth your 1.500 KDs.